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31 UMMA Objects
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There are two cherry branches point downward. They start at the top and end in the middle of the painting. Twigs jut out from the branches and hold leaves with a reddish tint. There is a signature and seal in the bottom right of the painting.
Nishiyama Kan'ei
Cherry Branches
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.192
There is a single pheasant standing in the middle of the painting with its head turned around to peck at its feathers. There are a mixture of red, blue, green, and black feathers on the pheasant. Behind the pheasant is a plant growing from the ground. On the ground surrounding the pheasant and plant is grass. There are two seals, one on the left side of the painting and the other on the right side of the painting.
Nishiyama Kan'ei
Pheasant
1850 – 1899
Museum Purchase made possible by the Friends of the Museum of Art
1990/1.196
There is a single camellia branch that points upward. It starts from the bottom of the painting and ends at the top. There are many twigs that jut branch out from the main branch that have leaves and flowers growing from them. There is a single bird sitting on the branch. There is a seal in the bottom right corner of the painting.
Nishiyama Kan'ei
Bird on Camellia Branch
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.205
There is a single camellia branch that points upward. It starts from the bottom of the painting and ends at the top. There are many twigs that jut branch out from the main branch that have leaves and flowers growing from them; the leaves have a presence in the painting because of their size and their detail. There is a single bird sitting on the branch. There is a seal and signature in the bottom left corner of the painting.
Nishiyama Kan'ei
Birds on Camellia Branch
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.207
This charming painting depicts a young courtesan out on parade, dressed in a simple but striking costume. Her black cloak (uchikake) is decorated with a discreet overall pattern of plovers, and allowed to fall open to reveal its bright red lining. She subtly advertises her occupation by tying her sash (obi) in front. The hanging scroll is bordered with gold. The is an inscription in the lower&nbsp;right corner.<br /> <br /> Exhibited in &quot;Japanese Costumes &amp; Ceramics, Past &amp; Present,&quot; October 2001-February 2002. Maribeth Graybill, Senior Curator of Asian Art
Japanese (Japanese (culture or style))
Courtesan Beneath a Willow Branch
1740 – 1750
Gift of Mr. and Mrs. C.D. Carter
1970/2.158
Various sketches of fruits and flowers each with accompanying calligraphy.<br /> Image 1: Large white flower in the upper left balanced by a large gray rock in the lower right. A smaller pink flower completes the visual triangle.<br /> Image 2: A branch bearing two clusters of small orange fruits begins in the upper left and ends lower, center.<br /> Image 3: A branch of white and pink flowers starts center right and moves off the page at upper center.<br /> Image 4: A branch bearing three large green fruits starts and the upper left corner and ends just right of center. Two fruits centrally located and the third is in the upper left.<br /> Image 5: Rock-mass in the upper right with green grass-like plants and light green orchids.<br /> Image 6: Fruit-bearing vine moves across the top of the page and crosses over the lower right corner.<br /> Image 7: Two large orange blooms are located slightly left of center and near the top. Opposite those the lower right half is dominated by a large rock formation.
Yong-chin Kim
Fourteen Fruit and Flower Sketches
1946
Museum Purchase
1952/2.5
At the center of the lithograph, a tree's black trunk stretches from the bottom to the top of the print. The tree's abstract leaves and branches spread across the top of the print and there is ground cover across the bottom in exagerated texture. Signed (l.r.) "Moore" and numbered (l.l.) "53/150" in pencil.
Henry Moore (British (modern))
Forest
1973
Gift of Corrine Lemberg
2011/1.124
A print with a detail of a tiger lily stem.<br /><br /> Eva Caston 2017
Warren Lombard (American (North American))
Pink Tiger Lily
1937
Gift of Prof. and Mrs. Alfred H. White
1940.122
A small branch with two main offshoots. The one on the left has five leaves and the one on the right has severals buds or berries.
Warren Lombard (American (North American))
An Alder Spray
1931
Gift of Prof. and Mrs. Alfred H. White
1940.70
Detail of blueberry branch.<br /><br /> Eva Caston 2017
Warren Lombard (American (North American))
Blueberry Spray
1934
Gift of Prof. and Mrs. Alfred H. White
1940.95
There is a single branch that rises from the bottom of the painting and that ends at the top of the painting. There are smaller twigs that jut out from the main branch and that each have&nbsp;vibrant red-orange maple leaves growing from them. There are signatures and seals in the bottom left corner of the painting.
Nishiyama Kan'ei
Maple Leaves
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.195
There is a single tree branch pointed downward that spans across the painting. The branch has many twigs coming from it and growing from the twigs are many red leaves. On the branch are two birds sitting next to each other. There are two seals, one in each bottom corner of the painting.
Nishiyama Kan'ei
Two Birds on Tree Branch
1850 – 1899
Museum purchase made possible by the Margaret Watson Parker Art Collection Fund
1990/1.204
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